mUltimate Chopin

Op. 28 No. 16, Prelude in B♭ minor

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Page: 
Source: 
p. 1, b. 1-11
p. 1, b. 1-11
p. 2, b. 12-21
p. 3, b. 22-33
p. 4, b. 34-46
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Important
Main
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  b. 1

 in A (→FC→GE)

 in FE (→EE)

The change of time signature in FE probably resulted from the engraver's inattention. In Chopin's pieces, it was common that engravers did not differentiate between  and , see the Prelude No. 14 in E Minor.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in FE, 4/4 or 2/2

notation: Rhythm

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a
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