Issues : Main-line changes

b. 22

composition: Op. 28 No. 16, Prelude in B♭ minor

..

In A there was initially a  before the 5th semiquaver, which, together with the  before the 7th note, would result in the following sequence, in which the 5th, 8th and 10th notes would be c2.
In the next bar, when the subsequent seven semiquavers (counting from g1) are repeated an octave higher, there are no traces of changes – the final version was entered straight away.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A , Main-line changes

b. 29

composition: Op. 28 No. 16, Prelude in B♭ minor

..

The crossings-out and corrections of A allow us to reconstruct the initial version of the figuration in the 2nd half of the bar (analogous to b. 26): .

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A , Main-line changes