mUltimate Chopin

Op. 28 No. 16, Prelude in B♭ minor

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Issues : Deletions in A

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b. 27

composition: Op. 28 No. 16, Prelude in B♭ minor

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In A one can see a crossed-out  at the pitch of A before the G quaver. It means that, according to us, Chopin wanted to write that note as A at first.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A , Enharmonic corrections

b. 28-29

composition: Op. 28 No. 16, Prelude in B♭ minor

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In A stretto was initially written over a bar earlier – the indication was placed over the 4th beat of b. 28 and the 1st beat of b. 29. Chopin then crossed it out together with the dashes marking its range (falling on b. 29) and rewrote it in b. 30.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A

b. 29

composition: Op. 28 No. 16, Prelude in B♭ minor

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The crossings-out and corrections of A allow us to reconstruct the initial version of the figuration in the 2nd half of the bar (analogous to b. 26): .

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A , Main-line changes

b. 45

composition: Op. 28 No. 16, Prelude in B♭ minor

 after chord in A (→FE→EE)

under chord in FC (→GE)
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The  asterisk is written in A clearly after the crotchet on the 4th beat of the bar, which seems to be a deliberate decision, since Chopin initially wrote it under the quaver ending the passage. In FC it is so close to the F-f octave that it seems that it is placed under it, which was reproduced as such in GE.

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A , Inaccuracies in FC