Issues : Inaccuracies in FE

b. 46

composition: Op. 28 No. 16, Prelude in B♭ minor

 under grace note in A, contextual interpretation

under chord in FC (→GE) & FE (→EE)

..

The  mark in A occupies an uncommonly large space – from the octave at the end of b. 45 to the crotchet rest in b. 46. The pianistic sense – increasing the span of the final chord – requires that the  mark be placed under the grace note, which, however, was not performed in any of the remaining sources. In a similar situation in the ending of the Prelude No. 5 in D Major, Chopin wrote  clearly under the grace note.

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in FE , Inaccuracies in FC , Inaccuracies in A

b. 46

composition: Op. 28 No. 16, Prelude in B♭ minor

in A (→FCGE) & EE2

Small quaver in FE

Small crotchet in EE1

..

Further simplified forms of the grace note in FE and EE1 must be mistakes of the engravers. The revision of EE2 was based on a comparison with GE1.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in FE , Errors in EE