Page:
Source:
p. 1, b. 1-25
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In an earlier version of As, two versions of the ending of these bars – one- and two-note – were presented in reverse order. The crossings-out visible in As suggest that Chopin initially wrote there more complex figures, comprising three or even four notes. The rhythmic variants at the end of b. 19 – see the note on b. 11 and 19.
category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations; Source & stylistic information
issues: Main-line changes
notation: Pitch
Missing markers on sources:
CGS, A, FC, As, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a