Page: 
Source: 
p. 1, b. 1-25
p. 1, b. 1-25
Main text
Main text
As - Autograph sketch
A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
As - Autograph sketch
A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 20-21

On the basis of the available photograph of As, it is impossible to interpret the L.H. part in the 1st half of b. 21. Chopin changed the text in the entire bar as well as at the end of b. 20; initially, that fragment most probably looked like that:  (like most similar situations, it is only the 1st chord of each four that includes all noteheads). In b. 20 the top notes of the last two chords were then changed to a, whereas in b. 21 Chopin crossed out the e note in the 1st group and two last quavers in each group; in addition, at the beginning of the bar he added a new 1st half of the bar. On the photograph, the only thing to be seen there is a blot, yet its general outline seems to confirm the natural assumption that it is a very condensed, abridged notation of the final version, i.e. repeated c-g fifth. The text of this half of the bar is highly hypothetical, hence we put it in square brackets.

Compare the passage in the sources»

category imprint: Corrections & alterations; Source & stylistic information

issues: Accompaniment changes

notation: Pitch

Missing markers on sources: CGS, A, FC, As, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a