Page: 
Source: 
p. 1, b. 1-25
p. 1, b. 1-25
Main text
Main text
As - Autograph sketch
A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Articulation, Accents, Hairpins
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Fingering
Ornaments
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No differences
As - Autograph sketch
A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 11-19

Both in b. 11 and 19, the grace notes in A (→FEEE) are non-slashed, whereas in FC (→GE) – slashed. It is an inaccuracy that would often happen to Fontana-copyist, in this case almost certainly contrary to the intention of Chopin. The Chopinesque entries in FED equate the grace note and the crotchet with two quavers, which can be considered one of the performance possibilities of these motifs. We recommend a slightly shorter grace note, which could be written down as .
We give the variants resulting from the above differences of notation in the notes to b. 10-11 and 18-19.

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category imprint: Differences between sources; Source & stylistic information

issues: Annotations in teaching copies, Annotations in FED, Non-slashed grace notes, Fontana's revisions

notation: Ornaments

Missing markers on sources: CGS, A, FC, As, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a