Page: 
Source: 
p. 4, b. 68-89
p. 1, b. 1-19
p. 2, b. 20-46
p. 3, b. 47-67
p. 4, b. 68-89
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
Importance
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Important
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  b. 75-76

No slur in A (→FCGE, →FEEE)

Slur from 7th quaver in FES, literal reading

Slur from 8th quaver, our variant suggestion

In the main text we include the contextual interpretation of the slur added in FES, probably by Chopin. In this case, the context is provided by the ending of the Nocturne in B Major, Op. 62 No. 1, in which in both preserved Stichvoralge autographs Chopin combined the last R.H. semiquaver in b. 88, f, with the d2 minim at the beginning of b. 89: .

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies, Annotations in FES

notation: Slurs

Missing markers on sources: A, FC, FE1, FE2, FED, FES, FEJ, FESch, EE1, EE2, GE1, GE2, GE3, EE1a