mUltimate Chopin

Op. 28 No. 15, Prelude in D♭ major

Text Compare Notes Sources Description
Page: 
Source: 
p. 3, b. 47-67
p. 1, b. 1-19
p. 2, b. 20-46
p. 3, b. 47-67
p. 4, b. 68-89
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Graphic ambiguousness
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Differences between sources
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
Importance
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Important
Main
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Prezentacja
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  b. 55

Small crotchet in A (→FE→EE1)

in FC (→GE) & EE2

As was the case with b. 39, of which the discussed bar is a literal interpretation in the manuscripts, in the main text we keep the notation of A (→FE→EE1).

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Fontana's revisions

notation: Ornaments

Missing markers on sources: A, FC, FE1, FE2, FED, FES, FEJ, FESch, EE1, EE2, GE1, GE2, GE3, EE1a
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