mUltimate Chopin

Op. 28 No. 15, Prelude in D♭ major

Text Compare Notes Sources Description
Page: 
Source: 
p. 3, b. 47-67
p. 1, b. 1-19
p. 2, b. 20-46
p. 3, b. 47-67
p. 4, b. 68-89
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
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Differences
No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 66

 in A

  in remaining sources

The missing  mark must be Chopin's oversight provoked by a combination of the fact that the notation of this bar is tightly packed and the fact that the bar is at the turn of the page. The mark was added both in FC (→GE) and FE (→EE).

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: No pedal release mark

notation: Pedalling

Missing markers on sources: A, FC, FE1, FE2, FED, FES, FEJ, FESch, EE1, EE2, GE1, GE2, GE3, EE1a
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