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Issues : Annotations in FED
b. 3-7
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composition: Op. 28 No. 15, Prelude in D♭ major
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In the main text we give the undoubtedly Chopinesque fingering entered into FED in b. 3 and 7. The key element of that fingering – the 4th finger for the g category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FES |
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b. 9
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composition: Op. 28 No. 15, Prelude in D♭ major
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In the main text we give identical indications entered into FED and FES – a mark indicating that f1 should be performed by the R.H. and two fingering digits concerning the L.H. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FES |
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b. 11-12
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composition: Op. 28 No. 15, Prelude in D♭ major
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In the main text we give a fingering resulting from the complementary and partially identical entries in FED and FES. The constant position of the thumb on c category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FES |
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b. 12
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composition: Op. 28 No. 15, Prelude in D♭ major
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The version of A (→FE,FC→GE1), without a category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: Annotations in teaching copies , EE revisions , Annotations in FED , GE revisions , Omission of current key accidentals , Errors of A , Annotations in FES , Errors of FC , Errors repeated in FE |
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b. 14
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composition: Op. 28 No. 15, Prelude in D♭ major
category imprint: Differences between sources |