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Issues : Annotations in FED
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b. 26
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composition: Op. 28 No. 15, Prelude in D♭ major
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In the main text we include – in a variant form – the marking added in FED and coming from Chopin. category imprint: Differences between sources |
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b. 33
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composition: Op. 28 No. 15, Prelude in D♭ major
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The published version of the last L.H. crotchet, a C category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Annotations in teaching copies , Annotations in FED , Corrections in A , Chopin's hesitations , Annotations in FES , Authentic post-publication changes and variants , Annotations in FEJ |
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b. 44
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composition: Op. 28 No. 15, Prelude in D♭ major
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category imprint: Differences between sources |
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b. 49
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composition: Op. 28 No. 15, Prelude in D♭ major
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This bar is a literal repetition of b. 33; as was the case with that bar, Chopin signalized a change of concept of the last crotchet with compliant corrections in the teaching copies. The changed version was also introduced by GE2 (→GE3). category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Chopin's hesitations , GE revisions , Annotations in FES |
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b. 79
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composition: Op. 28 No. 15, Prelude in D♭ major
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The marking indicating the way the roulade should be performed against the L.H. quavers was written in FED. This is one of several examples proving that this type of irregular groups can be performed rhythmically freely, emphasizing the motivic structure of the run. Another such sign can be found, e. g. in the Nocturne in B category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Synchronization markings |
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