



Rhythm
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b. 78
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composition: Op. 28 No. 15, Prelude in D♭ major
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In the main text we draw additional crotchet stems next to the a category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 79
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composition: Op. 28 No. 15, Prelude in D♭ major
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A (→FC→GE1) gives 9 as the number of notes in the irregular semiquaver group (instead of 10). The mistake was corrected in FE (→EE) and GE2. category imprint: Differences between sources issues: GE revisions , Rhythmic errors , Errors of A , Errors repeated in GE |
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b. 79
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composition: Op. 28 No. 15, Prelude in D♭ major
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The marking indicating the way the roulade should be performed against the L.H. quavers was written in FED. This is one of several examples proving that this type of irregular groups can be performed rhythmically freely, emphasizing the motivic structure of the run. Another such sign can be found, e. g. in the Nocturne in B category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Synchronization markings |
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b. 80
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composition: Op. 28 No. 15, Prelude in D♭ major
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Similarly to b. 76, both FC (→GE) and FE (→EE1) omitted the dots prolonging the d category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , Inaccuracies in FC |
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b. 84-85
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composition: Op. 28 No. 15, Prelude in D♭ major
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FED contains synchronization marks in the R.H. part, which indicate that the semibreves are to be performed simultaneously with the minims at the beginning of the bar. The need for such an indication resulted from the placement of those semibreves, repeated after A, i.e. in the middle of the bars – we reproduce that notation in the graphical transcription (version "transcription"). See also the note on b. 87. category imprint: Source & stylistic information issues: Annotations in teaching copies , Annotations in FED , Synchronization markings |
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