



b. 70
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composition: Op. 28 No. 15, Prelude in D♭ major
..
The version of A (→FC→GE1) may seem erroneous:
However, each of the above arguments can be countered:
Therefore, to the main text we adopt the version with very distinct d category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Errors resulting from corrections , GE revisions , FE revisions |
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b. 75
|
composition: Op. 28 No. 15, Prelude in D♭ major
..
In the 2nd half of the bar there are no accidentals before the 2nd and 4th bottom voice quavers in A (→FC,FE→EE1). It must be an oversight of Chopin, who, in his mind, changed the key to D category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in FE |
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b. 75-76
|
composition: Op. 28 No. 15, Prelude in D♭ major
..
In the main text we include the contextual interpretation of the slur added in FES, probably by Chopin. In this case, the context is provided by the ending of the Nocturne in B Major, Op. 62 No. 1, in which in both preserved Stichvoralge autographs Chopin combined the last R.H. semiquaver in b. 88, f category imprint: Interpretations within context; Differences between sources |
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b. 76
|
composition: Op. 28 No. 15, Prelude in D♭ major
category imprint: Differences between sources |
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b. 76
|
composition: Op. 28 No. 15, Prelude in D♭ major
..
The distinct dots prolonging the d category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , Inaccuracies in FC |