Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 15, Prelude in D♭ major
|
No markings in sources |
|
|
[ |
] suggested by the editorsIn the main text we suggest adding a pedal change on the 2nd beat of the bar (as a complement to the authentic pedalling); such a change was introduced by Chopin in b. 3, 7 and 22, i.e. each time this motif appeared. However, it is difficult to say whether we are actually dealing with Chopin's oversight, since the melodic notes being slightly blended against the dominant ninth chord perfectly fit into the Chopinesque style; moreover, such a pedalling was also written in b. 78.
Compare the passage in the sources »
category imprint: Editorial revisions
notation: Pedalling
