mUltimate Chopin

Op. 28 No. 3, Prelude in G major

Text Compare Notes Sources Description
Page: 
Source: 
p. 2, b. 16-33
p. 1, b. 1-15
p. 2, b. 16-33
Main text
Main text
FCI - Fontana's copy of earlier version
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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No differences
FCI - Fontana's copy of earlier version
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 33

Pause over R.H. in A (→FC→GE)

Two pauses in FE (→EE)

In the main text we include the revision of FE (→EE), since the chords of both hands are certainly supposed to last equally long. The missing fermata in FCI, unless it is an oversight of the copyist, probably proves that this detail was not fully developed in the autograph on which the copy was based.

See the Prelude No. 1 in C Major, b. 34. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: FE revisions

notation: Rhythm

Missing markers on sources: FCI, A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a
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