Page: 
Source: 
p. 2, b. 16-33
p. 1, b. 1-15
p. 2, b. 16-33
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FCI - Fontana's copy of earlier version
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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FCI - Fontana's copy of earlier version
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 27-30

2 times  in FCI

 & leggiero in A (→FE,FCGE) & EE2

in EE1

Instead of  present in the final version in b. 28, FCI features a  mark already in b. 27, which is then repeated in b. 30. As in many other places, Chopin reduced the number of dynamic indications while preparing the Prelude for print; in this case, however, he added leggiero to specify the  mark. In EE1 leggiero was most probably overlooked by the engraver, which was corrected in EE2, probably after having compared it with GE1

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions, Errors in EE

notation: Verbal indications

Missing markers on sources: FCI, A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a