mUltimate Chopin

Op. 28 No. 3, Prelude in G major

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Page: 
Source: 
p. 2, b. 16-33
p. 1, b. 1-15
p. 2, b. 16-33
Main text
Main text
FCI - Fontana's copy of earlier version
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FCI - Fontana's copy of earlier version
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 18-21

In FCI there is no  lowering f to f in b. 18; it is also absent in b. 19-22, in which the L.H. part is marked as a repetition of b. 18. Chopin's patent oversight is evidenced by the cautionary  before f in b. 23. This situation affects the evaluation of the notation of b. 16-17 – it is also there that we are almost certainly dealing with an oversight of naturals (in the R.H.).
See also b. 22.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Omission of current key accidentals

notation: Pitch

Missing markers on sources: FCI, A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a
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