Page: 
Source: 
p. 2, b. 16-33
p. 1, b. 1-15
p. 2, b. 16-33
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Main text
FCI - Fontana's copy of earlier version
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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FCI - Fontana's copy of earlier version
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 17

Rhythm in #CFI & A (→FEEE), & also FC (source interpretation)

Rhythm in FC (contextual interpretation→GE)

In FC the rhythm in the 2nd half of the bar was written down as , which is a mistake. In GE it was changed to , which is understandable if we take into account the rhythm in the remaining similar situations. However, the reviser did not respect the position of that d2 in relation to the L.H. semiquavers – it is written right above the penultimate semiquaver, which suggests that it is the semiquaver flag that is a mistake, and not the missing second dot prolonging the e2 crotchet.

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category imprint: Interpretations within context; Differences between sources

issues: GE revisions, Errors of FC

notation: Rhythm

Missing markers on sources: FCI, A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a