Page: 
Source: 
p. 1, b. 1-15
p. 1, b. 1-15
p. 2, b. 16-33
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FCI - Fontana's copy of earlier version
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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FCI - Fontana's copy of earlier version
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 1

Moderato in FCI

Vivace in A (→FCGE, →FEEE)

It is evident that Chopin's final decision concerning the tempo of the Prelude was Vivace. The change was almost certainly related to a distinct change of concept of the piece, which was also reflected in other performance markings, which often differ between FCI and the other sources. Moreover, the markings of FCI are more detailed in a number of places, cf., e.g. the   hairpins under the L.H. semiquavers in b. 1, dim. in b. 6, accents in b. 7 and 9.
See also the notes on the changes to the R.H. rhythm.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues:

notation: Verbal indications

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a