Main text
Main text
FCI - Fontana's copy of earlier version
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
compare
  b. 14

Long accent in FCI, literal reading

 in FCI (contextual interpretation) & GE2 (→GE3)

No sign in A (→FCGE1, →FEEE)

It is unclear how to interpret the  mark in FCI. Due to the abridged notation of the L.H. part and the manner of writing semibreves more or less in the middle of the bar, it can be considered both a whole-bar  hairpin (the mark begins under the d2-b2 sixth, i.e. at the beginning of the bar, and ends close to the end of the bar) and a long accent (it has the right length and position with respect to the sixth). Actually, a similar problem can be observed already in analogous b. 5, in which, however, we consider the mark written in A as a hint on how to resolve this doubt. In the discussed bar we give both possibilities, since the absence of the mark in A does not allow us to directly support any of them; moreover, the mark in FCI is slightly shorter than the one in b. 5.
GE2 added a whole-bar  hairpin, certainly by analogy to b. 5.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources; Source & stylistic information

issues: Long accents, GE revisions

notation: Pitch

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