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Source: 
p. 1, b. 1-19
p. 1, b. 1-19
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 2

This bar is written in the manuscripts as a repetition of the preceding one. Chopin used two /• marks, written on the bottom stave, at the pitch of the parts of each of the hands. It could have suggested that it should be notes only that should be taken into account when writing out the abbreviation, since in b. 1 the dynamic marks are written over the top stave – see the note on them in b. 1.

Compare the passage in the sources »

category imprint: Source & stylistic information

issues: Abbreviated notation of A

notation: Shorthand & other

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE2, GE1, GE3, EE1, EE2, EE1a