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Source: 
p. 1, b. 1-19
p. 1, b. 1-19
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 1

Allegro in A (→FCGE, →FEEE)

Largo in FES

Largo written in FES instead of Allegro, which was crossed out, is most probably a teaching correction – it indicates the way the piece should be practised, and not a change of concept of the Prelude. Placing the Prelude in E Minor provided with Largo between the Preludes in F Major and D Major (Lento and Sostenuto, respectively) seems to be unlikely due to the structure of the entire cycle.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies, Annotations in FES, Authentic post-publication changes and variants

notation: Verbal indications

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE2, GE1, GE3, EE1, EE2, EE1a