Page: 
Source: 
p. 1, b. 1-19
p. 1, b. 1-19
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Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 8

  in A (→FCGE)

  in FE (→EE)

In A the direction of the 2nd dynamic hairpin is unclear – the mark could be described as a  with an additional, shorter arm, which constitutes an angle typical of  marks. According to us, the length of that additional arm points to its accidental nature, and the mark should be interpreted as diminuendo. This is how it was interpreted by Fontana in FC (→GE). The  hairpin in FE is not so much a consequence of the ambiguity described above as a result of a mistake or a revision, which is suggested by a similar range of marks (in that edition) in this and adjacent bars. 

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in FE, Inaccuracies in A

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE2, GE1, GE3, EE1, EE2, EE1a