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Source:
p. 1, b. 1-23
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Prezentacja
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Different grace notes in FES |
In the main text we give the grace notes in b. 5, 10, 17 and 20 in the form of non-slashed grace notes, in accordance with the notation of A (→FE→EE). However, in this context, it does not mean a performance that would be radically different from a common, slashed grace note, which is indicated by:
- the correction of rhythm in b. 10 visible in As, in which Chopin replaced the initially written 2 semiquavers with a grace note and a quaver;
- the grace notes in b. 17 and 20 in FES having been slashed, probably by Chopin, most probably in order to correct the wrong, too lengthy performance;
- the notation of grace notes by Chopin, not always precise; he would sometimes use them interchangeably, not being concerned about a possible difference between the performance of slashed and non-slashed grace notes (cf., e.g. the Polonaise in C
Minor, Op. 26 No. 1, b. 11 and 36).
According to us, taking into account the tempo and character of the music and all the above factors, one can recommend the following rhythmic solution of this detail: 
.
Compare the passage in the sources»
category imprint: Differences between sources
issues: Notation of grace notes, Fontana's revisions
notation: Ornaments
Missing markers on sources:
A, FC, As, CGS, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a