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p. 1, b. 1-23
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The notation of As reveals that Chopin initially envisaged c1 as the topmost note already in the 1st half of the bar – the repeat sign, placed after the written-out group of 4 quavers (featuring c1), was crossed out and inserted in front of it; moreover, Chopin added a new bar line before the crossed-out mark (however, the old bar line was not crossed out, as a result of which the space between them creates an impression of an additional bar).
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category imprint: Corrections & alterations; Source & stylistic information
issues: Accompaniment changes
notation: Pitch
Missing markers on sources:
A, FC, As, CGS, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a