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Source:
p. 1, b. 1-23
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In As one can see crossings-out in the R.H. part. In b. 12 the tied f
1 note was probably a semibreve at first, inserted – in accordance with the Chopinesque practice – more or less in the middle of the bar. Chopin then added a minim stem to the note and a rest later in the bar; eventually, he moved the minim to the beginning of the bar.
B. 13 was initially filled with an a1 semibreve, which Chopin then crossed out; however, he did not insert a rest instead of it.
Compare the passage in the sources»
category imprint: Corrections & alterations; Source & stylistic information
issues:
notation: Rhythm
Missing markers on sources:
A, FC, As, CGS, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a