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Source: 
p. 1, b. 1-23
p. 1, b. 1-23
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Main text
As - Autograph sketch
A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1(
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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As - Autograph sketch
A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1(
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 11-13

In As one can see traces of corrections of the bottom note of the 2nd quaver in the 1st L.H. group in b. 11 and 13 and in the 2nd group in b. 12 (the remaining three groups of quavers are not written out in those bars). Chopin hesitated whether to write it as c or d. According to us, the corrections resulted in d in b. 11-12 and c in b. 13, and this is the notation we give as the text of As. It is worth noting that in both groups in b. 14 c was the first choice, hence it was not a result of corrections. In addition, while preparing a clean draft, Chopin opted for c in all those places.

Compare the passage in the sources »

category imprint: Corrections & alterations; Source & stylistic information

issues: Chopin's hesitations

notation: Pitch

Missing markers on sources: A, FC, As, CGS, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a