mUltimate Chopin

Op. 28 No. 2, Prelude in A minor

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Page: 
Source: 
p. 1, b. 1-23
p. 1, b. 1-23
Main text
Main text
As - Autograph sketch
A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1(
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
Select notes: 
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
As - Autograph sketch
A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1(
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
Importance
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Important
Main
Undo Clear
Prezentacja
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  b. 7-8

Slur to bar 8 in A & CGS

Slur to end of bar 7 in FC (→GE) & FE (→EE)

The L.H. slur, which starts at the beginning of the Prelude, clearly reaches the 1st quaver in b. 8 in A. Nevertheless, both FC (→GE) and FE (→EE) considered it an inaccuracy and led the slur only to the last quaver in b. 7.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in FE, Inaccuracies in FC

notation: Slurs

Missing markers on sources: A, FC, As, CGS, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a
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