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Issues : GE revisions
b. 7
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composition: Op. 28 No. 2, Prelude in A minor
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions; Source & stylistic information issues: GE revisions , Foreign hand additions in manuscripts |
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b. 9
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composition: Op. 28 No. 2, Prelude in A minor
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The GE1 version featuring the d-d1 octave on the 6th quaver is certainly mistaken, and was corrected in GE2 (→GE3). category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 13-18
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composition: Op. 28 No. 2, Prelude in A minor
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The indication dim. - - is written in A (→FC→GE) over the top stave. As in this context it must concern the L.H. too, we place it in a standard position, i.e. between the staves. In the main text we reproduce the range of the indication after the literal interpretation of A. The further range of diminuendo in FC is an inaccuracy that occurred at the stage of reproducing A, although the notation of A does not rule out that it could have actually been Chopin's intention. In the editions the dashes marking the range of the indication end in b. 17, which is an inaccuracy resulting most probably from a different division of the text into great staves – both in the manuscripts and the editions the indication was led to the last bar of the great stave, which is b. 18 in A and FC and b. 17 in the editions. category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Inaccuracies in FC |
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b. 15-16
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composition: Op. 28 No. 2, Prelude in A minor
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The interpretation of the Such short category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Scope of dynamic hairpins , GE revisions , Inaccuracies in A |