Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 2, Prelude in A minor
The notation of As reveals that Chopin initially envisaged c1 as the topmost note already in the 1st half of the bar – the repeat sign, placed after the written-out group of 4 quavers (featuring c1), was crossed out and inserted in front of it; moreover, Chopin added a new bar line before the crossed-out mark (however, the old bar line was not crossed out, as a result of which the space between them creates an impression of an additional bar).
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Accompaniment changes
notation: Pitch
