Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 2, Prelude in A minor
In As one can see crossings-out in the R.H. part. In b. 12 the tied f
1 note was probably a semibreve at first, inserted – in accordance with the Chopinesque practice – more or less in the middle of the bar. Chopin then added a minim stem to the note and a rest later in the bar; eventually, he moved the minim to the beginning of the bar.
B. 13 was initially filled with an a1 semibreve, which Chopin then crossed out; however, he did not insert a rest instead of it.
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category imprint: Corrections & alterations; Source & stylistic information
notation: Rhythm