Main text
Main text
As - Autograph sketch
A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1(
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
compare
  b. 5-12

As does not contain a single accidental in the R.H. part, in the entire piece (except for the final chords). In the case of the grace notes in b. 5 and 10, the missing sharps next to the grace notes seem to be obvious, although only on the assumption of a general compliance of the harmonic plan of the draft with the final version of the Prelude (accompaniment in these and adjacent bars is not even marked). In turn, the use of f1 instead of f1 in b. 8 and 11-12 unambiguously results from the written down L.H. part.

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category imprint: Interpretations within context; Differences between sources; Source & stylistic information

notation: Pitch

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