Page: 
Source: 
p. 2, b. 21-38
p. 1, b. 1-20
p. 2, b. 21-38
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Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 36

No pedal markings in sources

Pedal suggested by the editors

Our alternative suggestion

The missing pedalling markings in this bar seem to be Chopin's oversight, perhaps caused by the fact that the bar is isolated in A – it opens a new line; however, since the following bars were crossed out and rewritten on the stave below, the discussed bar was the only one that remained in that line. In the main text we suggest pedalling markings modelled after the previous bars; in practice, one can press the pedal slightly earlier, which allows the performer to maintain continuity of both main melodic lines.

Compare the passage in the sources»

category imprint: Editorial revisions; Source & stylistic information

issues:

notation: Pedalling

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE3, GE1, GE2, EE1, EE2, EE1a