mUltimate Chopin

Op. 28 No. 13, Prelude in F♯ major

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Source: 
p. 1, b. 1-20
p. 1, b. 1-20
p. 2, b. 21-38
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 17-19

The e1 semibreves in b. 17 and 19 fill entire bars in A – they are dotted and, in accordance with the Chopinesque habit, placed close to the middle of the bar (cf., e.g. the Prelude No. 15 in D Major, b. 84-85). In FC (→GE) the latter is not provided with a dot, while in GE – both are not. It is Fontana's oversight and a standardizing revision or another oversight in GE.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions, Inaccuracies in FC

notation: Rhythm

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE3, GE1, GE2, EE1, EE2, EE1a
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