mUltimate Chopin

Op. 28 No. 13, Prelude in F♯ major

Text Compare Notes Sources Description
Page: 
Source: 
p. 1, b. 1-20
p. 1, b. 1-20
p. 2, b. 21-38
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
Importance
All
Important
Main
Undo Clear
Prezentacja
Select 
copy link Main text

  b. 14

In A (→FC→GE) the e1-a1 fourth is a minim without dots. It must be Chopin's oversight – cf. analogous b. 30 and similar b. 10, 13, 16, 29 and 32. Therefore, in the main text we include the addition introduced most probably by Fontana into FE (→EE).

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: FE revisions, Inaccuracies in A

notation: Rhythm

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE3, GE1, GE2, EE1, EE2, EE1a
Complete ➔