mUltimate Chopin

Op. 28 No. 13, Prelude in F♯ major

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Fingering

b. 1

composition: Op. 28 No. 13, Prelude in F♯ major

No fingering in A (→FE,FC→GE)

Fingering in EE
..

Nothing indicates that the fingering of EE could be authentic, although it is probably compliant with the Chopinesque idea. The presence of both a slur and a legato indication suggests the use of "harmonic legato" (holding elements of a chord with fingers) and the following fingering: (it was easier on the then contemporary pianos, which had narrower keys). 

category imprint: Differences between sources

issues: EE revisions

b. 21

composition: Op. 28 No. 13, Prelude in F♯ major

Fingering written into FED

No teaching fingering
..

In the main text we include the fingering entered into FED (coming from Chopin). The same applies to b. 22 and 26.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 22

composition: Op. 28 No. 13, Prelude in F♯ major

Fingering written into FED

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 26

composition: Op. 28 No. 13, Prelude in F♯ major

Fingering written into FED

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED