Page: 
Source: 
p. 1, b. 1-34
p. 1, b. 1-34
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Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewiczowa's Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewiczowa's Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 34

in A (literal reading→FEEE

No E in A (contextual interpretation→FCGE)

The E note in the last bar of the Prelude must be a mistake. It stems from an inaccurate notation of A, in which the intersection point between the stem of the L.H. chord and the 1st ledger line looks like a note. In addition, three bottom ties concerning the passage in b. 33 are written at the pitches of C, E and G, which is a mistake confirmed by the presence of E in b. 34. In the main text we give the version of FC (→GE), undoubtedly intended by Chopin and correctly unravelled by Fontana.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources; Source & stylistic information

issues: Errors in FE, Uncertain notes on ledger lines, Inaccuracies in A

notation: Pitch

Missing markers on sources: A, FC, FE1, FE2, FEJ, FED, FES, FESch, GE1, GE2, GE3, EE1a, EE2, EE1