Page: 
Source: 
p. 1, b. 1-34
p. 1, b. 1-34
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Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewiczowa's Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Graphic ambiguousness
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewiczowa's Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 1

in A (→FC,FEEE)

in GE

It is difficult to explain the origin of the version of GE –  in FC is clear, which practically excludes misinterpretation; moreover, there is no reason why the engraver or reviser would have needed to change that indication (Chopin did not participate in the creation of GE). Chopin would generally use mezza voce to determine the grade of dynamics between   and , usually written down as m.v. The uncommon indication  was written in A in a similar manner, i.e. as , which we reproduce only in the graphical transcription (the version "transcription"). 

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Verbal indications

Missing markers on sources: A, FC, FE1, FE2, FEJ, FED, FES, FESch, GE1, GE2, GE3, EE1a, EE2, EE1