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p. 1, b. 1-20
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b. 11
Separating the tenor voice must have been an arbitrary decision introduced in EL. According to us, it is likely that the author thereof was Kolberg, who added similar short motifs in the middle section of the Lento (b. 35-36 and 39-40).
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category imprint: Differences between sources
issues: Kolberg's revisions, Revisions in EL
notation: Pitch
Missing markers on sources:
A1, CJ, CK, CB, EL