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Source: 
p. 3, b. 48-64
p. 1, b. 1-20
p. 2, b. 21-47
p. 3, b. 48-64
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A1 - Working autograph
CJ - Jędrzejewicz Copy
CK - Kolberg Copy
CB - Balakirev Copy
EL - First edition
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A1 - Working autograph
CJ - Jędrzejewicz Copy
CK - Kolberg Copy
CB - Balakirev Copy
EL - First edition
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  b. 59-60

No marks in A1 & EL

Accent in bar 60 in CJ

Accent in bar 59 in CK

2 accents in CB

2 long accents, our alternative suggestion

Since both CJ and CK are based on [A2], their differing versions cannot be true at the same time. However, there are no grounds to consider one of them to be more likely than the other. According to us, it is also likely that according to Chopin's intention, it was both minims that were supposed to be accented – it could have been Chopin himself that overlooked it in [A2] or both copyists at the same time. This version was implemented in CB, and we suggest it in the main text. As an alternative solution we suggest two long accents, whose application in this context – long notes – is closer to the Chopinesque practices concerning the choice of accents.

See b. 57

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: Long accents, Errors of JC, Balakirev's revisions, Errors in CK

notation: Articulation, Accents, Hairpins

Missing markers on sources: A1, CJ, CK, CB, EL