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p. 2, b. 21-47
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The additional notes in the R.H. part present in b. 35-36 and 39-40 in CK – c
2-d2, echoing an authentic ending of the melody in b. 32-33 – are most probably Kolberg's inauthentic addition, since they are absent both in A1 and CJ, based on [A2], just like CK. CB also confirms the lack of authenticity thereof – Balakirev did not see them in the copied manuscript that was either CK before the notes were added or another copy of Kolberg in which they were simply absent. These motifs, in an already elaborate form, appear in EL in b. 35-37 and – moved an octave lower – in b. 39-41.
category imprint: Differences between sources
issues: Kolberg's revisions
notation: Pitch
Missing markers on sources:
A1, CJ, CK, CB, EL