Page: 
Source: 
p. 2, b. 21-47
p. 1, b. 1-20
p. 2, b. 21-47
p. 3, b. 48-64
Main text
Main text
A1 - Working autograph
CJ - Jędrzejewicz Copy
CK - Kolberg Copy
CB - Balakirev Copy
EL - First edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A1 - Working autograph
CJ - Jędrzejewicz Copy
CK - Kolberg Copy
CB - Balakirev Copy
EL - First edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 29-30

No marks in A1

& > in CJ & CK

& > in CB

i > in EL

In CJ and CK the accent in b. 30 is clearly shorter than the mark in b. 29, hence we interpret them as a short and long accent, respectively. It is compliant with the harmonic and rhythmic context of the accented notes – e2 in b. 29 creates a tense delay, whereas d2 in b. 30 is merely a dance syncopation. In CB and EL the mark in b. 29 was reproduced as a diminuendo hairpin; moreover, EL extended it so that it fills the entire 2nd half of the bar (cf. b. 23-24).

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents, Scope of dynamic hairpins, Balakirev's revisions, Revisions in EL

notation: Articulation, Accents, Hairpins

Missing markers on sources: A1, CJ, CK, CB, EL