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Issues : Balakirev's revisions
b. 57
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composition: WN 37, Lento con gran espressione
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The notation of CK seems to be less reliable due to the densely packed notation. Balakirev limited himself to correcting the patent inaccuracy at the end of the run. As was the case with the slurs, the missing dots in EL are probably a result of an editorial oversight. category imprint: Differences between sources issues: Balakirev's revisions , Inaccuracies in CK |
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b. 57-60
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composition: WN 37, Lento con gran espressione
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In the main text we give the beams of the four runs after the concordant notation of A1 and [A2] (→CJ,CK) – semiquavers in b. 57-58 and quavers in b. 59-60. In the remaining sources the notation was arbitrarily standardised – CB features quavers only, whereas EL – semiquavers. category imprint: Differences between sources issues: Balakirev's revisions , Revisions in EL |
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b. 57-61
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composition: WN 37, Lento con gran espressione
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The slurs having been led as far as to the g category imprint: Differences between sources issues: Balakirev's revisions |
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b. 57
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composition: WN 37, Lento con gran espressione
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A1 contains only category imprint: Differences between sources issues: Scope of dynamic hairpins , Balakirev's revisions , Revisions in EL |
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b. 58
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composition: WN 37, Lento con gran espressione
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In the main text we give the first a1 note as a separate semiquaver after the notation of [A2] (→CJ,CK). The crotchet in A1 conveys rather a sonic idea, whereas the accented semiquaver in [A2] – the instructions for its implementation. The simplified versions of notation in CB and EL are arbitrary revisions. category imprint: Differences between sources issues: Balakirev's revisions |