Verbal indications
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b. 19
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composition: WN 37, Lento con gran espressione
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in CB is a revision or inaccuracy. category imprint: Differences between sources issues: Balakirev's revisions |
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b. 21
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composition: WN 37, Lento con gran espressione
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The extreme nature of clearly suggests the unique atmosphere of the fragment that starts here, which echoes the Concerto in F Minor and the song "The Wish". category imprint: Differences between sources; Corrections & alterations |
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b. 25-30
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composition: WN 37, Lento con gran espressione
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Except for in b. 21, in this section (b. 21-31) A1 is devoid of all performance indications and dynamic markings. In the main text we reproduce the markings of [A2] – sotto voce in b. 25, in b. 27, in b. 29 and in b. 30. category imprint: Differences between sources; Corrections & alterations |
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b. 34-35
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composition: WN 37, Lento con gran espressione
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In the main text we adopt the notation of CK, actually equivalent to CJ, yet more natural to interpret. It is difficult to say whether the absence of the indication in CB is an oversight or – which seems to be more likely – a purposeful omission (the indication may be regarded as superfluous after in b. 33). The version of EL may be considered alternative in relation to our interpretation of CK – it was the beginning of sempre that was deemed reliable, whereas in our transcription we kept the placement of . category imprint: Graphic ambiguousness; Differences between sources issues: Balakirev's revisions |
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b. 35-36
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composition: WN 37, Lento con gran espressione
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In the main text we stick to the notation of CJ, since Kolberg could have moved the indication dim. so that it does not contradict the continuation of the dynamics, valid half a bar ago. Such a literal interpretation of these indications would also explain the omission of dim. in EL. category imprint: Differences between sources issues: Kolberg's revisions , Revisions in EL |
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