b. 18
|
composition: WN 37, Lento con gran espressione
..
In the main text we include the hairpin written in CJ, slightly adjusting its range to the shape of the melodic line. The absence of the mark in CK and its derivative sources is probably Kolberg's oversight – cf. the next note. category imprint: Differences between sources issues: Errors in CK |
|||||||||||
b. 18
|
composition: WN 37, Lento con gran espressione
..
In A1 one can see that the two quavers on the 4th beat of the bar replaced the initial f1 crotchet. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections of AI |
|||||||||||
b. 18
|
composition: WN 37, Lento con gran espressione
category imprint: Differences between sources issues: Errors of JC , Balakirev's revisions |
|||||||||||
b. 19
|
composition: WN 37, Lento con gran espressione
..
in CB is a revision or inaccuracy. category imprint: Differences between sources issues: Balakirev's revisions |
|||||||||||
b. 20
|
composition: WN 37, Lento con gran espressione
..
From the next bar the R.H. part is in 3/4 time signature in A1 – see b. 21-32. category imprint: Differences between sources |