mUltimate Chopin

Op. 50 No. 3, Mazurka in C♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 2, b. 27-58
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
Main text
Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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Pitch
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Pedalling
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Differences
No differences
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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  b. 46-47

Two-bar long pedal in AF (→FE→EE)

2 pedals in GE

The pedalling of AF (→FE→EE) was deliberate at the time when it was being written – Chopin crossed out the  at the end of b. 46. However, he did not repeat this version in any of the analogous pairs of bars (b. 54-55, 78-79 and 86-87), which may mean that he then forwent the two-bar pedal in those places. Therefore, in the main text we give the pedalling of the principal source, i.e. GE.

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category imprint: Differences between sources; Corrections & alterations

issues: Corrections in A, Chopin's hesitations, Deletions in A, Omitted correction of an analogous place

notation: Pedalling

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1
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