mUltimate Chopin

Op. 50 No. 3, Mazurka in C♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 6, b. 163-192
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
Main text
Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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  b. 166

No sign in AI & GE

 in AF, possible interpretation

 in AF (contextual interpretation→FE→EE)

The range of the  hairpin raises doubts in AF due to its arms of different length. A comparison with analogous b. 158, in which the range of  is confirmed by the concordant version of AF and GE, points to the top, shorter arm as the more reliable one. This is how it was reproduced in FE (→EE).

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Scope of dynamic hairpins, Inaccuracies in A

notation: Articulation, Accents, Hairpins

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1
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