Page: 
Source: 
p. 6, b. 163-192
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
Main text
Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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Articulation, Accents, Hairpins
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AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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  b. 177

Accent in AI & AF (literal reading)

Accent in AI & AF (contextual interpretation→FEEE)

> in GE1

> above  in GE2

In both autographs the accent in this bar is shorter than the previous ones, although – particularly in AI – it is not entirely certain whether the difference is to be regarded as significant. Taking into account the different rhythmic value of the chord, we assume that the accent's length is correlated with it. Just like in the previous bars, the accent in AI and AF is closer to the L.H. part, which, according to us, is an inaccuracy. In the main text we reproduce the combined > marks, typical of Chopin, after GE1; the marks are an appropriate ending of the preceding crescendo. The separate accent in GE2 must be a revision.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: Long accents, GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1