It seems that both published versions of the beginning of this bar were already present in AI, in which one can see a crossing-out of the crotchet, probably G
, next to the rest. It means that Chopin hesitated presumably until the very end of the work on the publishing of the Mazurka, and maybe even later. In the main text we give the version of GE, just like in b. 134, in which a similar discrepancy appears. Both bars implement the same rhythmic and melodic scheme (co-creating the entire eight-bar section), which, according to us, implies that an analogous version should apply to both places.
category imprint: Differences between sources; Corrections & alterations; Source & stylistic information
issues: Chopin's hesitations, Accompaniment changes, Corrections of AI
notation: Pitch